UPC: 197190815962
Label: CLOSED CASKET ACTIVITES
Format: LP
Release Date: July 26, 2024
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Full of Hell burst forth with incredible force from the small, dagger-shaped city of Ocean City, Maryland, 15 years ago. Over five full-lengths, five collaborative full-lengths, and countless splits, EPs, singles, and noise compilations, theyve evolved at extraordinary speed, their music becoming more complicated and technical without ever slowing down or losing its soul. Everything on a Full of Hell album feels like a blur: smears of guitar, harsh noise shaken like gravel in a bag, singer Dylan Walkers snarl and bite carrying him into outer space or into the core of the earth. Theyre coiled, interlocking, impossible to penetrate, and they move with alarming speed.

They have now reached terminal velocity. Having created their own context, theyre now able to walk around within it, to survey its terrain, to visit far corners and see whos nearby. Coagulated Bliss sounds like Full of Hell, but its nothing like any Full of Hell record thats come before it. These songs are trimmer, less freighted with anxiety, more interested in opening up than speeding away. Its bile is sometimes funneled into traditional song structures. It never shies away from the extreme harsh noise, unrelenting spirit, and pitch-black sadness of previous Full of Hell records; if anything, the leanness of these songs makes them feel even heavier. Nevertheless, there are tracks here you might find yourself whistling hours after listening. Its an extraordinary and unexpected evolution in sound for a band who made their name on rapid metamorphosis, and its the logical endpoint of everything Full of Hell has covered so far. I wanted to try to take every aspect of what weve done from previous releases and integrate it into this one, guitarist Spencer Hazard says.

Coagulated Bliss was written and recorded shortly after the band completed When No Birds Sang, their collaborative album with Nothing. Working with the Philadelphia shoegazers gave Full of Hell new insight into the emotional and artistic power of classic pop songwriting, and to the importance of following a song where it wants to go. That was a good experience of learning how to find what actually services a song, Hazard says. Even with Roots of Earth Are Consuming My Home, even when weve had an extreme grindcore influence, I still wanted it to be catchy. Walker also cites the bands work with The Body for helping him to recognize that there was value in pop music. Accordingly, Coagulated Bliss features some of Full of Hells strongest songwriting: Gone is the frenetic flailing of Garden of Burning Apparitions and Weeping Choir; in its stead is a richer, thicker sound, one thats considerably less ornamentedand somehow heavier than ever.

These songs feel huge, totemic, groundshaking. In Gelding of Men, the entire band hammers away at one chord, stomping it into the ground at mid-tempo, blasts of horns helping to push.The numbskull stomp of Doors to Mental Agony sets up a circle pit, blasts it apart with a grindcore chorus, then slides away on a slanted riff. In the title track, they bounce back and forth on a thick groove, punctuated with occasional cowbells and scratched up by Walkers scream, barrel into a pummeling chorus, then jump back out onto the dance floor.

While the focus on songwriting already makes Coagulated Bliss the most grounded album in Full of Hells catalog, its also the first Full of Hell record that tries in earnest to reflect the world around itnot in some broad, monotony-of-evil way, but the everyday horrors of life in small town America. Three of the four members of the band were raised in Ocean City. Hazard and Bland still live there, while Walker is located in central Pennsylvania and bassist Samuel DiGristine relocated to Philadelphia. The American dream is small towns, Hazard says. But anyone thats grown up in a small town realizes its just as fucked up in a small town as it is in a big cityif not more, because its more condensed.

Walkers lyrics have always framed their suffering with what he calls fantastical, metaphorical shit, but on Coagulated Bliss his writing is clear and direct. The albums title is meant partly to reflect the idea of the over-pursuit of happiness leading to miserywhether in addiction, greed, or anything else. Your happiness is just out of reach and you dont know why, he says. Too much of this bliss, you think youve found your endpoint, but its really just this small, tiny, little thing thats going to ruin your fucking life. And that could be anything. Much of the album is rooted in the bands own experiences. A hundred dead ends, a thousand dead friends, Walker screams on Doors to Mental Agony. I hear their howling, I hear them weeping. There are corpses slicked with morning dew, false balms for deep wounds, numb failures, thieves in the night and killers in the dark. There are many trackmarks; there are many dirty needles.

The albums viciousness and Walkers clear reading of the world around him might scan as misanthropyhumanity to blame, he concludes after running through the ways the earth is riddled with sores in Gasping Dustbut it comes from a place of disappointment thats driven by a deep love for people and life and the world. Theres not a lot of anger, to be honest, he says. Ive never felt anger when were playing, ever. It feels like electricity thats built up in my body that has to get out. But I feel more profoundly sorrowful than I ever do anger.

The world may be in a constant state of bitter flux, but Full of Hell have never sounded more at home in it.Weve shed any kind of do we belong in this space, what do people expect of us, Walker says. The joy is in the pursuit. The loosening of their grip on the direction of their music has made it feel paradoxically closer to the bone. People tend to burrow themselves so deeply into things they love, Walker says. Its too much of a good thing, and it almost cheapens it. By paring back their sound, Full of Hell arent just finding a new way forward: Theyre proving that a little bit less of a good thing can add up to so much more.

Coagulated Bliss was recorded at Developing Nations in Baltimore by Kevin Bernstein, mixed by Taylor Young at The Pit Recording Studio in Van Nuys California and mastered by Nick Townsend of Infrasonic Sound in Los Angeles California. All artwork by Brian Montuori – Paintings made in Los Angeles, CA from June-December 2023 using oil, acrylic, enamel, feathers, paper, hair and ink on canvas. Full of Hell is Spencer Hazard (guitar/electronics), David Bland (drums/vocals), Samuel DiGristine (bass/sax/vocals), and Dylan Walker (vocals/electronics/lyrics), with new guitarist Gabriel Solomon joining following the albums completion.

Tracklist

1. Half Life of Changelings
2. Doors to Mental Agony
3. Transmuting Chemical Burns
4. Fractured Bonds to Mecca
5. Coagulated Bliss
6. Ladder of Divine Ascent
7. Vomiting Glass
8. Schizoid Rapture
9. Vacuous Dose
10. Gasping Dust
11. Gelding of Men
12. Malformed Ligature